Casting: Video Game Commercial

THE SCOUT
Travel days: £350 per day
Down days: £350 per day
Rehearsal days: £350 per day
Shoot Days: £700 per day

** THIS ROLE IS VERY PHYSICALLY DEMANDING THEREFORE THE HIGHER DAY FEE.

REST OF THE CAST
Travel days: £250 per day
Down days: £250 per day
Rehearsal days: £250 per day
Shoot Days: £500 per day

Period of use (from 1st date of use): 6 months starting the first date of on air

Territories: Asia
Medias : 2 options

Option 1) All media, print and TVC excluded
Option 2) All media, print excluded (including TVC)

Including archives & internal purpose

a) Client website & social medias, only in the section “Archives” and “Business credential” for 10 years.

b) The Advertiser is not allowed to repost in Social Worldwide Network or any other kind of website after 6 months prior the 1st day of on air date.

Buyout Amount:

Option 1) 5000£ + 20 % agency fee
Option 2) 6500£ + 20 % agency fee

Non Commercial Usages: It is agreed that in return of the payment of rights bound to the advertising communication, the Talent and the Talent Agency and the Local Production Company allow the Advertising Company and the Advertiser to use any rushes or visuals or images taken from the campaign for professional magazines, internal and PR purposes. The Talent and the Talent Agency and/or the Local Production Company also accept the broadcasting of campaign or some excerpts of the campaign in the world for non-commercial purposes (such as educational or cultural programs, news programs, ad festivals, TV shows, etc…), PR purposes, events even if these broadcastings are not the responsibility of Advertising Company nor the Advertiser, Worldwide.

Commercial Usages and Authorized Material: The rights to use cover all edits of the campaign(s) (full length and cut downs – without limitation) for an unlimited number of showings. The Talent and Talent Agency and the Local Production Company allow the Advertising Company and the Advertiser to make any change in terms of image, editing or sound that would be necessary for the achievement of the campaign. The above mentioned right to use fees covers usage of all the material, for the duration, in the territory and on the medias to be specified in the purchase order, knowing that the client is under no obligation to use the material.

AI-Assisted Production and Digital Likeness
For the purposes of the ODIN Q project only (the “Project”), the Talent and the Talent Agency authorise the Production Company, the Advertising Company and the Advertiser, and their authorised production, post-production and visual-effects service providers, to use the Talent’s recorded image, likeness, physical appearance, movements and recorded performance in connection with AI-assisted production and post-production, subject to the limitations below. Such authorised uses may include: (i) creating character sheets, visual references and digital assets derived from materials captured during the shoot; (ii) digital compositing, background replacement, visual effects and other digital modifications; (iii) adapting recorded footage, including adjustments to framing, lighting, backgrounds and visual elements; and (iv) creating additional or alternative shots featuring the Talent’s likeness, including by AI-assisted techniques or compositing, where reasonably necessary to complete or enhance the Project, including placing the character in environments or landscapes not filmed during principal photography. All such uses must be limited to the Project and remain consistent with the character, narrative and intended creative direction of the Project. This clause does not authorise use of the Talent’s image, likeness, voice or performance for unrelated productions, or the creation of materially new dialogue, vocal performances or substantially new performances not contained in or reasonably derived from the recorded performance, without the Talent’s prior specific written consent. No use is authorised under this clause for training, fine-tuning or developing general-purpose or third-party AI models, or for data mining unrelated to the Project. Any such use, or any use beyond the scope expressly set out above, requires separate specific written authorisation and, where applicable, separate remuneration. The Production Company shall take reasonable steps to ensure that authorised service providers use the relevant materials solely for the Project and do not use them to train or improve their own AI models, except where separately and expressly authorised in writing. The processing and transfer of any personal data shall comply with applicable data protection laws. Subject to the scope and limitations of this clause, the buyout amount stated in this Agreement covers the authorised AI-assisted production and post-production uses described above, without additional remuneration solely because such techniques are used, to the extent permitted by applicable law and any applicable collective agreement. Nothing in this clause excludes any consent, remuneration or protection that cannot lawfully be waived or contracted out of.

Tax Form and Payment :
The Production company will send the Purchase Order for the usage rights to the Talent Agency will handle payment upon receipt of the corresponding invoices. It is specified and agreed by the parties that all payments made in the hands of the Talent Agency are deemed to be payments made to the Talent Agency and the Talent. The Talent Agency thus further guarantees the Advertising Company and the Advertiser against any and all claims costs proceedings demands losses or damages which could be brought forth by the Talent Agency by reason of the exploitation of the image and likeness of the Talent in accordance with the terms and conditions set out herein.

THE SCOUT

Playing age 27-35
An intelligent, resourceful scout accustomed to moving alone through difficult terrain. He reads the landscape and listens closely, making quick decisions from small details. His physical confidence comes from experience. The scale of the creatures he encounters pushes that experience to its limits, and his fear is immediate, involuntary and unmistakably human.

Seeking a performer with physical agility and endurance who can carry extended sequences through behavior and silent reactions. Intelligence must register through attention and choices. Fear should change with each situation:

Acting here is so key, but also looking for actors, who are skilled in, climbing/hiking/mountain climbing/trail running anything that is a key outdoor sport for these actors, there will be terrain & swamp/mud like conditions, our scout will need to feel comfortable submerged in mud/water.

This role currently only has one line, but we are seeking british/Irish accents including all UK regional variations.

THE SHIELDMAIDEN

Playing age 16-20
MUST BE OVER LICENSE AGE & MUST APPEAR YOUNGER THAN HER AGE.

Our actor will appear as 16, she is visibly youthful and physically less assured, with no training. At 19, she has trained to take her brother’s place as a soldier.

She is a sharp, stubborn young woman with a tomboyish manner and an instinct to resist being pushed aside. Her brother’s death leaves her carrying his sword and a responsibility she chooses to make her own. The time comes where she is tested for everything she has learned, she understands the danger and draws her sword. The actor must let us see her absorb the scale of what is coming, then choose to face it. Her determination has weight because she knows what violence costs.

The three-year change should register through posture, breath and weapon handling.

At sixteen her reactions are more exposed and impulsive; at nineteen she can hold herself steady long enough to act. The same intelligence and stubbornness must remain recognizable. Strong silent acting is essential to carry affection, grief and resolve through very little or no dialogue.

THE PROPHET

Male playing age 65-80

Looking for a wethered character actor. Who will appear Blind (see ref images) Both blind and non blind actors are welcome, contact lenses may be required.

A weary traveler sheltering in a dark corner, with a staff, a ragged bundle and barely enough strength to hold his soup. Hunger, cold and fatigue are real in his body. He appears to be someone the fortress can easily overlook. His presence gradually commands the room.

His prophetic gift is real, but he never identifies himself as a seer. Authority comes from quiet certainty. The visions should feel like things he is witnessing, with pauses shaped by what he perceives and the effort of speaking. A performer who can hold attention through stillness and a worn, intimate voice.

His attention follows sounds and silences in the room; the portrayal of blindness should

remain consistent. When the horn sounds, his lack of surprise gives his words new weight.

Wig, facial hair maybe even prosthetics required.

THE BLACKSMITH

Male Playings 25-45 
This person ideally is little in height, but still burly! (Does not need to be a burly as the AI images below)

We are very keen to cast a little person in this role, but happy to see actors up to 5’5

An armory blacksmith who makes weapons, shields and armor. He is proud of his strength and his usefulness, with a coarse manner and little patience for talk. His hands should suggest years of skilled work. Toughness is central to his identity, he would hate to think that anyone saw him any differently but inside he is scared and he resents being seen afraid.

Convincing physical strength, skilled hands, and a blunt, lived-in voice. The performance needs pride, defensive anger, and precise silent reactions. His final decision should feel difficult and private. The essential acting challenge is to let us recognize his shame while he is still trying to conceal it.

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